This is simply for the sake of practice. I’ve been working on it here and there for a few weeks. I’m drawing in colored pencil and then using alcohol to blend it and then going back over it with the colored pencil. Some things I’ve left untouched by the alcohol and whatnot.
I drew this elfin lad/lass in colored pencil and rubbed it out using alcohol on a cotton swap. Then, I redefined and repeated. In the end I pulled out the lights with a kneaded eraser.
I’m bugged that Angelina named her latest Pax. I was damned happy with it after having scoured my latin dictionary. Nonetheless, I named her weeks ago, and I’m sticking with it.
added colored pencil and some Painter IX to the Pax concept sketch just to force myself to follow through
Last night I watched the Carlos HuanteGnomon Creature Sketching and Design Video. He demonstrated a drawing technique that included colored pencil, marker paper, and rubbing alcohol. Once he had the basic forms down with some selective detail and value, he splashed alcohol on a cotton square and rubbed out the work. He then lifted out the lights with an electric eraser and reapplied the darks. From there he used the mid-tone to help him carve out a creature. I tried out essentially the same technique, but I did make use of a white colored pencil as neeeded.
I apologize for the marker tree there. This started out on my scrap page of marker paper — I didn’t expect to go anywhere with it, but the technique felt comfortable enough to keep me going. I didn’t expect the colored pencil to be so forgiving (in terms of getting things initially hammered out), but when you wash out the light lines using the alcohol, it cleans it right up.
In the spirit of continuing to cycle through a variety of styles, here’s a colored pencil in the general style of Hikaru Nakano. I couldn’t find a good (read any) link to him on the web, but he’s featured in Japanese Comickers. The style includes pastel colored pencil lightly applied with outlines and subtle value shifts. I kept the pencils sharp, spent a lot of time lightly dragging over the paper, and I forced myself not to think too much in terms of form.
I’m sticking with the birds for another night, but it’s only because I decided to cycle between a dozen or so styles and mediums. I was originally going to take one particular drawing and walk it through, but around the time I did the cowbird I decided to cycle through the project with different subjects — I need to keep excited about it or I’ll end up moving on to some other project.
So, here’s a small 5×7 White-Throated Sparrow in colored pencil on hot press watercolor paper. I’m not much of a fan of working with something waxy, but it’s good practice. By the way, I hate watermarks on paper. Since the scanner picked it up, I removed the Arches imprint and label using Painter.
Craig Houghton is a self-taught artist available for fine-art commissions and illustration work. Contact via email using leversandpulleys at yahoo.com.