Craig Houghton September 7th, 2007
I’ve been meaning to post about this, but I’ve been ill. I find the nearly visible endlessly fascinating, so I’m sure I’ll return to this topic soon.
Near-infrared light is just beyond visible red light. With wavelengths of 780nm and up, it’s a spectrum we’re just not built to see. Well, there is a bit of an overlap, but the visible light around us overpowers the narrow band we can see without technological assistance. Near-infrared is the channel-changing bright light your remote control shines at your tv box. Take a look. If you can’t see the light when button-mashing (and, you shouldn’t be able to), look at it through your digital camera viewfinder. Note that this isn’t heat-based thermal vision and it isn’t infrared boosting night-vision, but it’s very cool.
See the links below for more on this, but the short story is that most digital cameras have a filter to block infrared light. They’re not out to spoil your fun — it helps to improve your pictures. However, it’s often a weak filter that still lets through some infrared light. However, whatever filter is there still acts like a pair of infrared-blocking sun-glasses, so you’ll have to use a looong manual shutter speed or set your camera to nightshot.
Learn more:
Infrared goggles ($10)- milk that narrow band of near-infrared that we can actually see (yes. they work.)
same idea with less talk, more pictures
use old film/exposed negatives to make an IR filter - that works, but the $30 dollar filter I bought for my digital camera
worked far better. try the home-made filter method if you can’t buy a real IR filter for your camera. there are some tutorials out there (and there are many) that use floppy disks instead of exposed negatives. the floppies I used just wasted my time and made everything rather dark and smoky
remove the internal IR filter to increase sensitivity - most digital cameras (and probably webcams too) will do just fine with their internal filter intact, so I wouldn’t reach for that screwdriver yet
As for me, I’m very happy with my purchase of an Opteka 58mm 720nm Infrared Filter
for my Sony DSC-H1 digital camera. I’m sure there are other more IR sensitive cameras out there, because I have to keep the camera shutter open quite a while to let in enough IR light for a decent picture. This usually means about 2 seconds of exposure (auto white balance with manual shutter of 2 seconds). Of course, I have to use a tripod at that setting. And, (assuming you’ve been doing some reading elsewhere) no I haven’t seen clothing turn to Saran wrap. Then again, I haven’t really tried, wouldn’t recommend it, and doubt that someone, sun-bathers aside, could hold perfectly still for the required 2-4 seconds. Here’s what I have seen of the ‘invisible’ and beautiful world of near-infrared.
(all photos here taken with my sony dsc-h1 and opteka ir filter
)
the photos often look best when tweaked to grayscale. before adjusting, you can get some funky colors

chlorophyll, like in these normally dark leaves, shows up as a strong white in near-infrared

it’s hard to read this photo, but the tree in the center here is a purple plum. the leaves are very, very dark, but they’re white when using a near-infrared filter. the sky also turns dark unless it’s overcast. barely visible clouds and rainbows are easier to see as well.

in near-infrared, a clear sky can be dark like this without after-tweaking

infrared in grayscale (at top) versus visible light in grayscale (below)

the dark plum looks almost like a negative, but it’s not. here’s the visible (bottom) full color along with what an actual negative would look like (at top) just as a reminder. notice that it’s quite different from the infrared atop the first pair.

Also, I really do recommend the $10 goggles (cost a bit more with mail-order parts). When the light is strong (noon till 3 or so on a bright day), it’s a world of pink and white leaves, dark networks of branches, and black skies. We only see a narrow band, but I know it’s the real thing as the plum tree turns a white I could never get with normally-visible light interfering.